“A new generation of giant-scale textiles is at the core of a
revolution in architecture.” S Hanna and PA Beesley
An underlying accent in the installation is the exceptional use of uncommon materials – namely the use of fabric. The relationship between architecture and textiles has an ongoing history and there are vast developments in the last 20 years. Therefore the qualities of textiles such as lightness, fluidity, thinness, softness, flexibility make them appropriate for the achieving of this architectural paradigm of dynamics, transparency and delicacy.
The use of the fabric envelopes the structure of the devices like skin and is a reflection of the movement, at the same times it creates the character of the movement – makes it animate and organic, constantly changing, twisting, bending, folding, unfolding, and spreading. The fabric is bendable and flexible therefore its eminence changes the quality of the devices’ motion – they become alive. The surfaces thrive a metamorphosis – the change of form is inspired by the natural process of transformation. There is a definite and profound interrelation between form, function and structure which is extremely important in biological organisms. The fabric and the light design reflect into an ephemeral structure – half-boundary, half-opening. Basic quality of the fabric is its allowance of folding; the quality is coupled with the mechanics that stand behind the motion and together make the structure transformable and deployable.